Actor Danny Mac studied at Chichester College before gaining a BA (Hons) degree from The Arts Educational Schools in London. He recently starred as Bob Wallace in Curve’s highly acclaimed production of White Christmas, a role he is set to reprise later this year when the production transfers to the West End for a limited run at London’s Dominion Theatre.
This summer, Danny will portray the lead male role of Nino Quincampoix in the UK tour of Amelie The Musical based on the much-loved five-time Oscar nominated film.Other theatre credits include: Joe Gillis in the multi award-winning UK & Ireland touring production of Andrew Lloyd Webber’s Sunset Boulevard, directed by Nikolai Foster, for which Danny was awarded the Manchester Theatre Award for ‘Best Actor in a Visiting Production’ and a ‘Best Actor’ nomination at the 2018 WhatsOnStage Awards; Gabey in the Olivier Award nominated production of On The Town at the Regent’s Park Open Air Theatre, directed and choreographed by Drew McOnie, and Captain Crewe in the UK Premiere of A Little Princess at London’s Royal Festival Hall, directed by Arlene Phillips and with the Royal Philharmonic Concert Orchestra conducted by the composer, Andrew Lippa.
In addition, Danny has appeared in Wicked at the Apollo Victoria Theatre, in Les Misérables at The Palace Theatre, and as Warner in the Curve production of Legally Blonde.Television credits include: Craig in Sky One’s hit comedy series Trollied; ITV’s Midsomer Murders and Channel 4’s long-running series Hollyoaks as Mark Savage. Danny’s television work has clocked him up an impressive number of awards and nominations including ‘Best Newcomer’ at the highly regarded National Television Awards, which is voted for by the British public.
In 2016, Danny was a finalist in the BBC’s Strictly Come Dancing, thanks to a record-breaking partnership with professional dancer Oti Mabuse. He and Oti also took part in Strictly Come Dancing: The Live Tour performing to sold out arena audiences across the UK and were crowned tour winners.
Dan was nominated for an Olivier Award for his role of Tulsa in Gypsy at the Savoy Theatre.
Currently appearing as Giles Ralston in The Mousetrap (St. Martin’s Theatre).
Theatre credits include:Phil Davis in White Christmas (Leicester Curve), Don Lockwood in Singin’ In The Rain (Grand Palais and Théâtre du Châtelet, Paris), Jerry Travers in Top Hat (Kilworth Theatre), Billy Lawlor in 42nd Street (Théâtre du Châtelet Paris), Riff in West Side Story (Salzburg Festival), Tulsa in Gypsy (Savoy Theatre and Chichester Festival Theatre), Earl and Understudy Sid Sorokin in The Pajama Game (Shaftesbury Theatre and Minerva Theatre, Chichester), Kenickie in Grease (Ljubljana Festival Theatre, Slovenia), Joe Pesci/ Understudy Frankie Valli in Jersey Boys (Prince Edward Theatre), The Wind in the Willows (Rehearsed Reading), Barraclough/Understudy Lockwood/Gilbert in the original London cast of Betty Blue Eyes (Novello Theatre), Nikos/Padamadan in the original London cast of Legally Blonde (Savoy Theatre), Bernardo in West Side Story (National Tour), Understudy and played Amos Hart in Chicago (Cambridge Theatre), Original London Cast of Dirty Dancing (Aldwych Theatre), Miss Saigon (National Tour) and Opening Gala of the International Festival of Musical Theatre (New Theatre Cardiff).
Film credits include: Gene Donan in ‘S Wonderful.
Cast recording credits include: Dirty Dancing, Legally Blonde, Betty Blue Eyes, and the 2015 revival of Gypsy.
Dan has his debut solo album Broadway Melodies out now available now on iTunes.
Danielle came to public prominence after winning Andrew Lloyd Webber’s hit BBC television series Over The Rainbow and since then, Hope has blossomed into an acclaimed international leading lady.
Her recent stage credits include: Snow White in Snow White (London Palladium), Sherrie in Rock of Ages (UK Tour), Sandy in Grease (UK Tour), Eponine in Les Miserables (Queens Theatre), Maria in The Sound of Music (UK Tour), The Narrator in Joseph and the Amazing Technicolor Dreamcoat (UK Tour), Cathy in The Last Five Years (Greenwich Theatre), Dorothy in The Wizard of Oz (London Palladium) Danielle has performed her sold out one woman show at venues such as 54 Below, New York City, where she also recorded her debut Live Album Bring the Future Faster; Edinburgh Festival with Don’t Tell Me Not To Fly, Live: at Zedel with In Her Shoes and most recently Sunday Favourites at The Other Palace.
Danielle is excited to be working on her original music which will be released very soon!
Now living and working in New York City, Danielle is delighted to return to London to perform in White Christmas and hopes you have a magical time!
Training: Arts Educational Schools London.
Theatre credits include: Sarah Brown in Guys and Dolls (Théâtre Marigny, Paris), Peggy Sawyer in 42nd Street (Theatre Royal, Drury Lane), Miss Dorothy Brown in Thoroughly Modern Millie (Kilworth House Theatre), Kathy Selden in Singin' in the Rain (Théâtre du Châtelet, Paris), Marjorie May/ understudied and played Dainty June in Gypsy (Savoy Theatre and Chichester Festival Theatre), Ensemble/ understudied and played Mrs Teavee and Cherry Sundae in Charlie and the Chocolate Factory (Theatre Royal, Drury Lane), Tweedle-Dee/ understudied and played Teenage Fiona in Shrek The Musical (Theatre Royal, Drury Lane), Amber Von-Tussle in Hairspray (National Tour), Ensemble in Wicked (Apollo Victoria), Liza in Peter Pan, A Musical Adventure (West Yorkshire Playhouse), Ensemble in The Music Man (Chichester Festival Theatre), Ensemble in Good Thing Going - Simply Sondheim with The Royal Philharmonic Orchestra (Cadogan Hall) and Wendy in Peter Pan (Grimsby Auditorium).
Cast recording credits include: 42nd Street (Theatre Royal, Drury Lane) Gypsy (Savoy Theatre), Charlie and the Chocolate Factory (Theatre Royal, Drury Lane) and Peter Pan a Musical Adventure (West Yorkshire Playhouse).
Film credits include: Peggy Sawyer in 42nd Street (Julian Marsh Productions), Gypsy (BBC) and vocalist in Mary Poppins Returns (Walt Disney Pictures).
General Henry Waverly
Most recently, in Spring this year, Michael performed Other People's Money at Southwark Playhouse and has also recently authored his one man show Too Much To Tell which was performed on the Queen Mary 2.
Other theatre credits include: Arthur Miller’s All My Sons, Off The Kings Road, The Long Road South for which he was nominated an Offie, Arthur Miller’s A View From the Bridge, Singin In the Rain, which transferred from Chichester to the Palace Theatre in London. On The Waterfront, Love Letters, Wet Weather Cover which transferred from The Kings Head to The Arts Theatre London and the National Theatre Production of Jerry Springer The Opera originating the role of Jerry Springer for which he was nominated an Olivier Award for best actor. Further credits include: the New York Productions of The Lady and The Clarinet with Stockard Channing and Does a Tiger Wear a Necktie? with Al Pacino on Broadway.
TV credits include: Urban Myths - The Trial of Joan Collins, Danny Boyle’s Trust and four seasons as Elliot Salad on Episodes with Matt LeBlanc. The Tracey Ullman Show, The Blandings, Mr. Selfridge, Galivant, The Katherine Tate series, Lynda LaPlante’s Trial and Retribution, Miss Marple, BBC’s The Last Days of Lehman Brothers, New Tricks, Death in Paradise, Hawking with Benedict Cumberbatch, James Dean, Hustle, Doctor Who with David Tenant, and the classic 80’s series Dempsey and Makepeace.
Film Credits include: The Times of Their Lives, Captain America- The First Avenger, Me and Orson Wells, HBO’s The Contaminated Man, George Cukor’s last film Rich and Famous with Candace Bergman and Jaqueline Bisset, Change of Seasons with Anthony Hopkins and Shirley MacLaine, Lovers and Other Strangers with Bea Arthur, Diane Keaton, Deja’ Vu with Vanessa Redgrave and Dario Argento’s Four Flies on Grey Velvet.
Michael was the voice of Thomas the Tank Engine for eight years and has recorded audio books for Michael Connelly, David Baldacci, Martin Cruz Smith and the late Jackie Collins. Michael appeared at the Hong Kong Arts Festival and Ronnie Scott's with Guy Barker and his amazing jazz rendition of The Magic Flute.
Brenda’s life changed forever when she became the last woman standing in the semi finals of the UK’s X Factor in 2005, leaving the audience and judges spellbound week after week. In 2006, she was presented with the Screen Nation Award for Favourite Reality TV Star. In 2016 Brenda was diagnosed with stage 3 breast cancer. As of 2019, she is 3 years free of cancer and uses every opportunity to raise money and awareness for various cancer charities. Brenda is also currently a regular presenter on ITV’s Loose Women.
In Spring 2020 Brenda will recreate the role of Deloris Van Cartier in a brand new specially rewritten production of the hit musical SISTER ACT across the UK and in London.
Theatre Credits Include: Motormouth Maybelle in HAIRSPRAY (UK Tour); Nettie Fowler in CAROUSEL (London Coliseum); Esta in MOBY DICK! (The Union Theatre); Diane & Beautiful music in THE HUMAN COMEDY (The Young Vic); Killer Queen in WE WILL ROCK YOU (original UK Tour & West End); Pearl Pastor in CARMEN JONES (Royal Festival Hall) and Mama Morton in CHICAGO (West End & 10th Anniversary gala).
Screen credits include: Mrs Johnson in Ben Elton’s THE WRIGHT WAY and The Lips in Alan Carr's THE SINGER TAKES IT ALL.
Television Appearances: The Last Leg, The Weakest Link, The Wright Stuff, Sing If You Can, GMTV X Factor correspondent
Special Guest Performances: Magic FM's Magic of the Musicals Night (Royal Albert Hall); BBC Radio 2 with the BBC Concert Orchestra for a night with Sir Terry Wogan; Friday Night’s music night with Paul Gambaccini and on Graham Norton's BBC Radio 2 programme. She has also had the honour of performing with soul legends Ashford and Simpson and supported Smokey Robinson at Rochester Castle with her own 11-piece band.
Other highlights include sold out concerts at the world-famous Ronnie Scott’s, London’s Pigalle Club, and at the Barbican for Brenda Edward’s Gospel Christmas produced by Raymond Gubbay.
Brenda is proud to have independently released her Debut Album “Bring It Back” (check website for details)
Ralph Sheldrake & Ensemble
Training: Tring Park School for the Performing Arts.
Theatre credits include: Naphtali and Understudy Joseph in Joseph and The Amazing Technicolor Dreamcoat (The London Palladium), Hortensio in Kiss Me, Kate (The London Coliseum), Ensemble/ Understudy Adam Hochberg & Henri Baurel in An American in Paris (Dominion Theatre), Anthony Hope in Sweeney Todd (Mercury/Derby Theatre), Dandini in Cinderella (Manchester Opera House), Young Visconti in Travels With my Aunt (Chichester Festival Theatre), Charles Lightoller in Titanic (Princess of Wales, Toronto), Rolf Gruber in The Sound of Music (Leicester Curve), Riff in West Side Story (UK Tour), Ensemble and Understudy Don Lockwood in Singin’ in the Rain (Palace Theatre), Ensemble/ Understudy Bill Calhoun/Luciento in Kiss Me Kate (Theatre Du Chatelet), 42nd Street (Leicester Curve), Don Kerr in A Chorus Line (Tel Aviv Opera House); Singin’ in the Rain (Chichester Festival Theatre), Soloist in Stephen Mear’s Shoes (The Peacock Theatre), Ensemble in Wicked (Victoria Apollo), High School Musical 2 (UK Tour), Apollo Victoria 80th Gala (Victoria Apollo); Kerry Ellis Sings the Great British Songbook (Shaw Theatre), Night of 1000 Voices (Royal Albert Hall); Vocalist in Handel’s Messiah (Royal Albert Hall), Young Heathcliff in Wuthering Heights for NBT (Sadler’s Wells).
Workshop credits include: Malik in Women on the Verge of a Nervous Breakdown (Bart Sher), Bud Carver in Night of the Prom (Tony Mchale), Send for Mr Plim (Soho Theatre).
TV credits include: All Star Musicals (ITV), Ant & Dec’s Saturday Night Takeaway (ITV), Surprise Surprise (ITV), Blue Peter (BBC).
Jack is thrilled to be performing in White Christmas and would like to thank his wife, family and friends for their continued love and support.
Rita & Ensemble
Training: Guildford School of Acting.
Theatre credits include: Ensemble/Swing in Disney’s Aladdin (Prince Edward Theatre), Disney's Broadway Hits (Royal Albert Hall), West End Bares (Novello Theatre), Wicked Witch in The Wizard Of Oz (Shaw Theatre), Puttin' On The Ritz (UK Tour and Monte Carlo), Blues Brothers Story (Sporting Club, Monte Carlo), Ensemble/Understudy Wicked Step Mother in Cinderella (Hackney Empire), Pradeepta Smith in The Bakewell Bake Off (Landor Theatre and Waterloo East Theatre).
TV credits include: Featured Singer in Sunday Night At The Palladium (ITV), Tonight At The London Palladium (ITV), Children In Need (BBC Elstree Studios), ITV All Star Musicals (London Palladium).
Voiceover credits include: Estee Lauder Advance Night Repair, Lightseekers, Clinique, Simple Aqua Lock Wipes, Amazon Ident, Caress Lux, Jockey. Winner of One Voice Award, best performance in a video game/toy.
Kayleigh is thrilled to be part of this glorious production. She has watched the original motion picture every year since she was a little girl! Massive thanks to Mama, Michelle, God and all those that have believed in and supported me throughout the years!
Kayleigh is represented by Michelle Blair Management
Rhoda & Ensemble
Training: Arts Educational School
Theatre credits include: Ensemble in An Officer and a Gentleman (Leicester Curve), Young Hattie and Showgirl/Cover Young Phylis/Cover Emily in Follies (National Theatre), Ensemble in She Loves Me (Menier Chocolate Factory), Stubb in Moby Dick The Musical (Union Theatre), Ensemble in The Producers (UK and Ireland Tour), Ensemble in Singin’ in the Rain (UK, Ireland and International Tour), Soloist in West End Live, Singer in David Phelps At The O2, Soloist in Pole I’ll Never Play (St. James Theatre)
TV credits include: Dancer in The Crown Season 2 (Netflix)
Credits whilst training: Rona Lisa Peretti in The 25thAnnual Putnam Spelling Bee, Margot in Legally Blonde, Ensemble in Guys and Dolls, Libby Drake in Babes in Arms, Lynette Fromme in Assassins.
Sion Tudor Owen
Ezekiel Foster & Snoring Man
Training: Guildhall School of Music and Drama
Theatre credits include: We’re Still Here (National Theatre Wales), White Christmas (West Yorkshire Playhouse), West Side Story (Wales Millennium Centre), Wild Oats (Theatre Royal Bath), Absurd Person Singular (Leicester Curve), Carries War (Novel/Apollo Theatre), Cyrano De Bergerac (Chichester Festival Theatre), A Chorus of Disapproval (Ipswich Wolsey & Tour), Romeo and Juliet, Hamlet, Macbeth, Love Girl and the Innocent, The Swan Down Gloves, Richard III, Hamlet all for the RSC. Under Milk Wood and Accidental Deal (Theatr Clwyd)
Film credits include: Caronte in The Girl From The Song for Netflix, Twin Town, One Chance, Highlander, Staggered, The Tichboune Claimant, The Return of Sam McLoud, Aberdeen, Experience Preferred, One in Four, Candle in the Dark, Outlanders, Bryn in Submarine (Film Four).
TV credits include: Emmerdale, Doctors, Coronation Street, Outlander II, Midsommer Murders, MI High, Diamond Geezer, Casualty, Roman Mysteries, Dirty Work, The Bill, Mortimer’s Law, Drovers’ Gold, Just William, Independent Man, The Detectives, One Summer, Allo Allo, Dr Who, Jenny’s War.
Other credits include: Numerous radio plays, film and television commercials and his fair share of comedy work both solo and with the Foreballs.
Mike & Ensemble
Workshop credits include: Dinero in Sister Act (Hamburg and Broadway productions), The Little Mermaid for Broadway, Water Babies, Vampirette, Frozen for the current Broadway production.
Tessie, Assistant Seamstress & Ensemble
Training: The Italia Conti Academy of Theatre Arts
Theatre credits include: Guys and Dolls (Royal Albert Hall, London and Theatre Marigny, Paris), Chess (London Coliseum), Fanny Brice Cover Funny Girl (UK No.1 Tour), Mary Poppins (UK No.1 Tour), Anything Goes (UK No.1 Tour), Ensemble and Understudy Dale Tremont Top Hat (Aldwych Theatre and UK No.1 Tour), Ensemble and Dance Captain Le Grande Macabre (London Coliseum, ENO), Dorothy Gale in The Wizard of Oz (RSC version for Sutton Theatres and Blue Star Productions), Lead vocalist in Back to Broadway (UK Tour), West End to Broadway (Blue Star Productions), Four’s a Crowd (Platform Theatre Company), Ensemble and Understudy Fairy Godmother in Cinderella (Bristol Hippodrome and New Wimbledon Theatre), Ensemble in Peter Pan (New Wimbledon Theatre), Princess Kate in Jack and the Beanstalk (Cambridge Arts Theatre), Princess Belroubador in Aladdin (Bruce James Productions), Queen Susan in The Lion, the Witch and the Wardrobe (Bruce James Productions), Polly in Toad of Toad Hall (Newpalm Productions) and title roles in: Goldilocks and the three Bears, Sleeping Beauty and Snow White (Blue Star Productions), Alexandra has also appeared with the European Ballet in productions of Sleeping Beauty and Cinderella.
TV credits include: Blue Peter (BBC), Strictly Come Dancing (BBC), The Alan Titchmarsh Show (ITV), The Olivier Awards 2014 (ITV).
Recording credits include: Original London cast recording of Top Hat, and a concept album of Jason and the Argonaughts. (Kenneth Wax).
Alexandra would like to thank her family and friends for their ongoing support.
Jimmy & Ensemble
Theatre Credits include: Ensemble/ Cover Ali Hakim in Oklahoma! (Chichester Festival Theatre), Baby John in West Side Story (Royal Exchange Theatre), Aki in Aladdin (Hackney Empire), Lucky in The Rink (Southwark Playhouse), Ensemble/Puppeteer in Pinocchio (National Theatre), Crabtree in Forty Years On (Chichester Festival Theatre), Ensemble/ Understudy Eugene/Sonny in Grease (Leicester Curve), Ching Ho in Thoroughly Modern Millie (Kilworth House), Ensemble/Assistant Dance Captain in Annie (UK Tour), Ensemble/Cover Luke/ John in Anything Goes (Sheffield Crucible and UK Tour), Ensemble/Dance Captain in Thriller Live (UK & European Tour).
Originally hailing from Hong Kong, Michael specialises in Tap but is fond of the drums and most things percussive.
Ed Sullivan & Ensemble
Training: Doreen Bird College
Theatre credits include: Me and My Girl (Frinton Summer Theatre), Guys & Dolls (Marigny Theatre, Paris), Kiss Me Kate (Sheffield Crucible), Young Frankenstein (The Garrick Theatre), Carousel (ENO, London Coliseum), 42nd Street (Theatre Du Châtelet Paris and UK Tour), Guys and Dolls (Phoenix Theatre, Chichester Festival Theatre, UK Tour and Royal Albert Hall), Singin’ in the Rain (Theatre Du Châtelet), Seven Brides for Seven Brothers (Regents Park Open Air Theatre), White Christmas (Dominion Theatre), Charlie and the Chocolate Factory (Theatre Royal Drury Lane), My Fair Lady (Sheffield Crucible), Matilda (Cambridge Theatre), Shoes (Peacock Theatre), Oliver! (Theatre Royal Drury Lane), Chicago (Cambridge Theatre, Singapore and UK Tour), The Boy Friend (Regents Park Open Air Theatre), We Will Rock You (Dominion Theatre), Grease (Victoria Palace and Scandinavian Tour), West Side Story (Bregenz Festival, Austria), Saturday Night Fever (UK Tour and Köln), Chitty Chitty Bang Bang (London Palladium), Oh! What a Night (UK Tour), and Fame (UK Tour).
Training: Centre of Dance, The Ritz Performing Arts Centre and Queensland Ballet Professional Year Program.
Theatre credits include: Mr Mistoffelees in Cats (Kilworth House), Ensemble in Stephen Mear’s Guys and Dolls (Theatre Marigny, Paris) Ensemble in White Christmas (Leicester Curve), Joe in Flashdance (UK Tour), Ensemble in Chess choreographed by Stephen Mear (London Coliseum), Ensemble in Johann Strauss Gala (UK Tour), Mr Mistoffelees in Cats (International Tour), Ensemble Production Dancer for Voyager of the Seas (Royal Caribbean), Princess Cruises and Norwegian Cruise Line.
Ballet credits: Corps de ballet with Queensland Ballet; Francois Klaus’ Swan Lake, Romeo and Juliet, Carmen, Don Quixote, Alice in Wonderland, Sleeping Beauty, The Little Mermaid and The Nutcracker, Guest Artist in Paris Opera Ballet’s 2009 Australian tour of Bolero (Roland Petit) and La Bayadere (Rudolph Nureyev), Company Dancer with Expressions Dance Company in Propel (Natalie Weir)
Television credits: Contestant in So You Think You Can Dance? (Australia 2010)
Training: Bird College of Performing Arts
Theatre Credits include: Michael Wormwood and Understudy Doctor/Rudolpho Royal Shakespeare Company’s Matilda (UK Tour), Tevin in 21 Lin-Manuel Miranda’s 21 Chump Street (The Courtyard Theatre), Dance Captain/Mr Pringle and Understudy Young Ebenezer/Nephew Harry/Bob Cratchit in Scrooge (Leicester Curve), On-Stage Swing/Understudied and Played both Chip and Ozzie in On The Town (Regent’s Park Open Air Theatre), Oddjob in UK Premiere of The Life (Southwark Playhouse), Swing in Mary Poppins (UK Tour), Bellboy and Understudy Specialty Dancer/Band Singer in Top Hat (UK Tour), Adam in the World Premiere of Water Babies (Leicester Curve), Swing and Understudy Mungojerrie/ Skimbleshanks/ Mr. Mistoffolees in Cats (UK Tour), Ensemble in White Christmas (Lowry), Chino in West Side Story (Sage Theatre), Ensemble in Gypsy (Leicester Curve), On-Stage Swing and Understudy Andy-Lee in 42nd Street (Leicester Curve).
Workshop credits include: King Kong (Broadway)
TV Credits include: Dance Captain/Ensemble All Star Musicals, Blue Peter for Mary Poppins , The Olivier Awards for Cats.
Training: Laine Theatre Arts
Theatre credits include: Dirty Dancing (UK Tour), Raymond Gubbay’s Christmas Spectacular (UK Concert Hall Tour & West End), The Glenn Miller Show (London Coliseum), Dick Whittington (London Palladium), Cats (London Palladium & International Tour), Aladdin (Grand Theatre, Wolverhampton), Peter Pan (Theatre Royal, Nottingham).
TV credits include: Sunday Night At The Palladium (ITV), Talk About You (MIKA Music Video).
Training: Studio One, and Millennium Performing Arts.
Theatre credits include: Demeter / Dance Captain in Cats (Kilworth House Theatre), Missy in The Marvelous Wonderettes (Upstairs at the Gatehouse & Theatre Royal, Windsor), Gale & Understudy Judy Haynes in White Christmas (Leicester Curve), Chess (London Coliseum), 42nd Street (Theatre Royal, Drury Lane), Patty Simcox in Grease (Leicester Curve), Serena in Legally Blonde (Leicester Curve and South Korea), Kiss Me Kate (Théâtre du Châtelet, Paris and Grand Theatre, Luxembourg), Snow White in Snow White and the Seven Dwarfs (Wyvern Theatre), Understudy Dale in Top Hat (UK Tour & Japan), Cinderella in Cinderella (Civic Theatre), Understudy Jenny Lind in Barnum (Chichester Festival Theatre), Dick Whittington (Hackney Empire), West Side Story (Royal Festival Hall), Thursford Christmas Spectacular (Thursford).
Other credits include: Dance Captain in All Star Musicals (ITV), Associate Choreographer to Nick Winston for Kiss Me, Kate (Oper Graz), Lead Vocalist on the Pacific Sun; Chicago (RCCL), Future Cinema Presents: Who Framed Roger Rabbit (Troxy), Surprise Surprise (ITV), Ant and Dec’s Push The Button (ITV), The Generation Game (BBC), Royal Variety Performance (London Palladium / ITV), The One Show (BBC), Tonight at the London Palladium (ITV).
Training: London Studio Centre
Theatre credits include: Understudy Aunt Eller in Oklahoma! (Chichester Festival Theatre), Understudy Antonia and Housekeeper in Man of La Mancha (London Coliseum), Dancer/As Cast in Dick Whittington (London Palladium), Arminy in Carousel (ENO, London Coliseum), Lead female vocalist in The Last Tango (Phoenix Theatre), Hedda Hopper in Sunset Boulevard (ENO, London Coliseum), Demeter/ Understudy Grizabella in Cats (London Palladium), Understudy Lana Clemenza in Dance Till Dawn (Aldwych Theatre, London and UK Tour), My Fair Lady (Sheffield Crucible), Understudy Glinda in The Wizard of Oz (London Palladium), Candide (ENO, Japan), Adam Cooper's Shall We Dance (Sadler's Wells), Understudy Chloe and Annie in Original Cast of Never Forget (UK Tour), Guys and Dolls (Piccadilly Theatre), Tinkerbell in Peter Pan (Birmingham Hippodrome), Fame the Musical (Edinburgh Playhouse), Original Cast of We Will Rock You (Dominion Theatre, London), Doreen/ Understudy Annette in Saturday Night Fever (Apollo Victoria, London and UK Tour), Understudy Pearl and Dinah in Starlight Express (Apollo Victoria, London) and Understudy Annette and Stephanie in the Original German Cast of Saturday Night Fever (The Dom Cologne).
Cast recording credits: Saturday Night Fever, We Will Rock You, Never Forget, The Wizard Of Oz.
TV credits include: The Royal Variety Performance, Queens Golden Jubilee (Party at the Palace), Party in The Park, Children in Need, Blue Peter, Parkinson.
Film credits include: Wedding Dancer in Artemis Fowl (Disney), Mother in Goodbye Girl (Mash Mosh Productions)
Ensemble & Associate Choreographer
Training: Millennium Performing Arts on The Doris Sonne Scholarship.
Theatre credits include: Revival Choreographer for Singin’ In The Rain (Grand Palais, Paris), Associate Choreographer/Dance Captain for; Guys & Dolls (Marigny Theatre, Paris), White Christmas (Leicester Curve), Guys & Dolls (Royal Albert Hall), Chess (English National Opera), Top Hat (Kilworth House), 42nd Street (Theatre Du Chatelet, Paris), Thoroughly Modern Millie (Kilworth House), Sunset Boulevard (English National Opera/ Coliseum), Singin’ In The Rain (Theatre du Chatelet, Paris), Mack & Mabel (Chichester Festival Theatre & UK Tour), The Pajama Game (Minerva Theatre, Chichester and Shaftesbury Theatre), Kiss Me, Kate (The Old Vic and Chichester Festival Theatre), Crazy For You (Regents Park Open Air Theatre), Me & My Girl (Sheffield Crucible), the Olivier Award-winning Hello, Dolly! (Regent’s Park Open Air Theatre), On The Town (English National Opera/Coliseum, London & Chatelet Theatre, Paris), Gigi (Regent’s Park Open Air Theatre). Dance Captain/Onstage Swing in Shoes (Sadler’s Wells), Assistant Rehearsal Director on Shoes (Peacock Theatre). Assistant Choreographer; Sweet Charity (Theatre Royal Haymarket and Menier Chocolate Factory), The Music Man (Chichester Festival Theatre), Oklahoma! (Chichester Festival Theatre), Choreographer, Cinderella (Gordon Craig Theatre, Stevenage), The Winslow Boy (The Old Vic), Ensemble/Swing; Wicked (Victoria Apollo), Sinatra (London Palladium), Mary Poppins (Prince Edward Theatre), Grease (Scandanavian Tour), Tonight’s The Tonight (Victoria Palace); Fame (UK Tour).
TV credits include: Assistant Choreographer Britannia for Sky Atlantic, Assistant Choreographer for So You Think You Can Dance - Series 1 (BBC), Blessed (BBC), Celebrity Big Brother (Endemol), Rebourn (BBC), Bustamove (MTV) music video for Goldfrapp, Orange Mobile Phone commercial and Showtime at the Stadium (BBC).
Training: Mountview Academy of Theatre Arts, graduating in 2019.
Theatre credits include: Soloist in The Songs of Daniel and Laura Curtis (The Hippodrome), Soloist in The Mayor of Southwark’s Charity Ball (Shakespeare’s Globe), Ensemble in Magic at the Musicals (Royal Albert Hall) and Ensemble in Michael Ball & Alfie Boe at the O2 (O2).
TV credits include: Tap Dancer on The One Show (BBC)
Credits whilst training: Bobby Child in Crazy For You, Harry Sparrow in Brass, Chip in On The Town. Jordan is thrilled to be making his professional and West End debut in White Christmas and would like to thank his family and friends for their endless support.
Training: Millennium Performing Arts
Theatre credits include: Ivy in Me and My Girl (Frinton Summer Theatre), Ensemble in Stephen Mear’s Guys and Dolls (Theatre Marigny, Paris), Rita/Ensemble in White Christmas (Leicester Curve), Pilar in Legally Blonde (UK Tour), Kate/Chutney/Whitney in Legally Blonde (Leicester Curve), Ensemble in Mother Goose (Wilton’s Music Hall), Lisa in Mamma Mia! (Royal Caribbean), Featured Ensemble in Loserville the Musical (Revival - Union Theatre), Jack and the Beanstalk (Hackney Empire Theatre), Cinderella (Hackney Empire Theatre), Dancer/Singer in Wildlife (Bloomsbury Theatre)
Other credits Include: The Pajama Game workshop (Stephen Mear); Stephen Ward The Musical workshop (Stephen Mear); Dancer in Move It (Olympia); Dancer in John Lewis 150th (LG Arena).
Delycia is excited to be making her West End debut in White Christmas and would like to thank her Agent, family and friends for their constant love and support.
Music & Lyrics
Born Israel Beilin in a Russian Jewish shtetl in 1888, he died as Irving Berlin in his adopted hometown of New York City in 1989. Songwriter, performer, theatre owner, music publisher and soldier, he wrote scores to more than a dozen Broadway musicals (including Annie Get Your Gun and White Christmas) and dozens of Hollywood movie musicals. His more than 1,200 songs include White Christmas, Puttin' on the Ritz, Easter Parade, Always, Blue Skies, Cheek to Cheek, There's No Business Like Show Business, Alexander's Ragtime Band and God Bless America. Irving Berlin's love for, and generosity to, the USA is legendary, exemplified by his establishing The God Bless America Fund, which receives all income from his patriotic songs and distributes it to the Boy Scouts and Girl Scouts. Numerous awards and accolades include an Academy Award for White Christmas, a Congressional Gold Medal, a special Tony Award and commemoration on a U.S. postage stamp. UK productions in recent years include Top Hat (West End and Tour, Olivier Award Winner, Best Musical 2013), and Annie Get Your Gun (UK tour, 2014; Sheffield Crucible, 2016).
David was nominated for a Tony Award for Best Play for his play Venus In Fur, which has been produced all over the country and the world, and was recently turned into a film by Roman Polanski. He is otherwise perhaps best known for his evenings of one-act comedies All In The Timing and Time Flies. Other plays include New Jerusalem: The Interrogation Of Baruch De Spinoza; The Liar (adapted from Corneille); The School For Lies (adapted from Molière); The Metromaniacs (adapted from Alexis Piron); Is He Dead? (adapted from Mark Twain); Ancient History, and Polish Joke. He is a former Guggenheim Fellow in playwriting and lives in New York City.
Paul is Executive Producer Emeritus of the St. Louis Muny, which at 11,350 seats is America's largest theatre. At The Muny, where Irving Berlin's White Christmas began in Summer 2000, Mr. Blake produced over 150 productions, which starred such legends as Phyllis Diller, Howard Keel, and the Radio City Rockettes. His new musical Roman Holiday, with a score by Cole Porter, had its American premiere at The Guthrie Theatre in Minneapolis where it played to capacity, and it played at the Golden Gate Theatre in San Francisco in 2017. Currently on Broadway, Mr Blake is the proud producer of Beautiful: The Carole King Musical which ran in the West End at the Aldwych Theatre.
DIRECTOR OF ORIGINAL STAGE PRODUCTION
Nikolai Foster is Artistic Director of Curve. He was born in Copenhagen, Denmark, grew up in North Yorkshire and trained at Drama Centre London and at the Crucible, Sheffield.
At Curve Nikolai has directed the world premiËre productions of Riaz Khan's Memoirs of An Asian Football Casual (adapted by Dougal Irvine) (nominated for Best Regional Production at the WhatsOnStage Awards) & Douglas Day Stewart's An Officer and a Gentleman; Leslie Bricusse's Scrooge; Andrew Lloyd Webber's Sunset Boulevard (& UK tour) Winner Best Musical, Manchester Theatre Awards and Best Regional Production, WhatsOnStage Awards; Joe Orton's What the Butler Saw (with Theatre Royal Bath), Jim Jacobs and Warren Casey's Grease (& Dubai World Trade Centre); Oscar Wilde's The Importance of Being Earnest (with Birmingham Rep); Spring Awakening (with National Youth Music Theatre); Legally Blonde (Opera Garnier, Monaco & Daegu Opera Festival, South Korea - Winner Best Musical - Daegu International Musical Festival Awards); Truman Capote's Breakfast At Tiffany's (& Haymarket Theatre, London & UK tour); Roald Dahl's The Witches (with Rose Theatre Kingston, Lyric Theatre, Hong Kong, West Yorkshire Playhouse, Leeds & UK tour); Tennessee Williams' A Streetcar Named Desire; Shakespeare's Richard III; Timberlake Wertenbaker's Our Country's Good and a performance to celebrate the reveal of the tomb of King Richard III at Leicester Cathedral and Jonathan Harvey's Beautiful Thing (Nottingham Playhouse and UK tour).
Nikolai has also served as an Associate Director at West Yorkshire Playhouse in Leeds, where he directed Irving Berlin's White Christmas, Orwell's Animal Farm, Dickens's A Christmas Carol (adapted by Bryony Lavery & Jason Carr), Louise Page's Salonika and Amanda Whittington's Bollywood Jane. He trained at Drama Centre London and at the Crucible, Sheffield (supported by the Regional Theatre Young Director Scheme), where he staged A Chorus Line, Sondheim's Assassins and Shaffer's Amadeus. UK tour productions have included: Tanika Gupta's Great Expectations, Calamity Jane and Coward's A Song at Twilight.
His critically acclaimed production of the Broadway musical Annie recently completed runs at the Piccadilly Theatre, London and at the Mirvish Theatre, Toronto.
Two-time Olivier Award winner - Mary Poppins, Co Choreographer with Sir Matthew Bourne (for which they also received a LA Drama Critics Circle award, a Helpmann Award in Australia and a nomination for a Tony and a Drama desk award for Best Theatre Choreography (Broadway/National Tours/UK Tours), Stephen's second Award was for Hello Dolly! at Regents Park Open Air Theatre.
Olivier Award Nominations include: Gypsy (CFT/Savoy/BBC4); Kiss Me, Kate (CFT/Old Vic); Crazy for You (Regents Park/Novello); Sweet Charity (Chocolate Factory/Theatre Royal); Sinatra (Palladium/UK Tour); Singin' In The Rain (WYP/National) and Soul Train (London/UK Tour).
Other theatre credits include: Guys and Dolls as Director & Choreographer (Royal Albert Hall), Chess (ENO), Scrooge (Curve, Leicester), Guys and Dolls (Milwaukee Rep); Top Hat (Kilworth House Theatre); 42nd Street (also Director, Theatre Du Chatelet); The Resistible rise of Arturo Ui (Movement Director, Donmar Warehouse); Thoroughly Modern Millie (also Director, Kilworth House Theatre); Sunset Boulevard (ENO/Broadway 2017); The Girls (Lowry); Chitty Chitty Bang Bang (WYP/UK Tour); Dreamgirls and Ragtime (Milwaukee Rep); Mack and Mabel (CFT/UK Tour); City of Angels, The Vote (Donmar Warehouse); Singin' In The Rain (Theatre du Chatelet); Die Fledermaus (Met Opera NY); Stephen Ward (Aldwych); The Pajama Game (CFT/Shaftsbury); She Loves Me (also Director, CFT); Betty Blue Eyes (Novello); Shoes (also Director, Sadlers Wells); Me and My Girl (Crucible, Sheffield); Gigi (Regents Park); The Little Mermaid (Broadway); Anything Goes (National/Theatre Royal); On The Town (ENO/Theatre du Chatelet); Acorn Antiques The Musical (London/UK Tour) and Amadeus, Music Man, Funny Girl, How to Succeed, Putting it Together and The Grapes of Wrath all at Chichester Festival Theatre.
Theatre includes: An Officer and a Gentleman the Musical (Curve, Leicester), The Winslow Boy (Birmingham Rep), The Best Man (UK tour), Scrooge the Musical (Curve, Leicester), The Winslow Boy (UK tour), Silver Lining (ETT, UK tour), Two Way Mirror (Theatre by the Lake, Keswick) What The Butler Saw (Curve, Leicester and Theatre Royal Bath), The Dresser (Duke of York's, dir. Sean Foley), A Christmas Carol (Corby Cube Theatre), All My Sons (Rose Theatre and Hong Kong), The Lonesome West (Tron Theatre), Lawrence After Arabia, Observe The Sons Of Ulster Marching Towards The Sun, Clever Dick, Out In The Open, Keepers, The Awakening, My Boy Jack (Hampstead Theatre), The Crucible, Waiting For Godot, Faith Healer, A View From The Bridge, The Price, The Cherry Orchard, The Man Who Had All The Luck, All My Sons, Les Liasions Dangereuses, and Death Of A Salesman (Edinburgh Lyceum), The Lady Killers (Olivier award nomination for Best Designer, Vaudeville), A Streetcar Named Desire (Curve, Leicester), Ben Hur (Tricycle), The Heresy Of Love, Doctor Scroggy's War, Blue, Anne Boleyn, All's Well That Ends Well, The Winter's Tale, and In Extremis/Eternal Love (Globe and UK tours), After Electra (Plymouth Theatre Royal & Tricycle), Dead Simple (UK tour), Eternal Love: The Story of Abelard and Heloise (ETT UK tour), Chin Chin (Bill Kenwright UK tour), A Little Hotel On The Side (Theatre Royal Bath), Sherlock Holmes: The Best Kept Secret (West Yorkshire Playhouse & UK tour), The Misanthrope (Liverpool Playhouse and UK tour), A Christmas Carol (Royal & Derngate), The Clean House (UK tour), Shadow Of A Gunman and John Bull's Other Island (Tricycle), Amphibians (RSC), Mountain Language (written and directed by Harold Pinter, Royal National Theatre), Rafts and Image (Royal Court Theatre), Nova Scotia and The Road To Nirvana (Traverse), Darwin In Malibu (Birmingham Rep), Winding The Ball (Royal Exchange), Private Lives and Present Laughter (Theatre Royal Bath and tour), Vita and Virginia (Altes Schauspielhaus, Stuttgart), The Fatherland and Millfire (Riverside Studios) and Time and The Conways (Bristol Old Vic).
He won the Drama Magazine Best Designer Award for Tony Marchant's The Attractions. For The Ladykillers, he has received nominations for Best Set Design at the Olivier Awards and the Whatsonstage.com Awards 2012/2013.
Michael trained as a designer at RADA.
Diego was born in Valencia (Spain) where he trained as an Architect.
In 1992 he moved to Paris (France) to complete a four-year course in Interior Design at the prestigious E.S.A.G. school of Design. For his final diploma he was declared first of his promotion and obtained an Excellency award for his Thesis in Theatre Design.
While in Paris he collaborated with the prestigious American designer Hilton McConnico. Amongst other projects Diego contributed to the design of an exhibition celebrating the ‘Carre' Hermes at the Suntory Museum in Osaka (Japan).
1999 saw Diego relocating to London to study at the Slade School of Art where he successfully completed his MA in Theatre Design. In 2001 he was selected for the Linbury Prize and his design, for Katya Kabanova for the Welsh National Opera, placed him amongst the finalists.
Since then Diego has developed a career as an International Theatre Designer, collaborating with renowned Directors and Companies. His work has appeared in theatres across the UK, Europe and the Caribbean. Some of his recent successes include The Addams Family, Sunset Boulevard in London's West End and Spend, Spend, Spend which won a TMA award for Best Musical in 2009, the 2011 European tour of The Who's Tommy, the 2013 UK and Ireland tour of Fiddler on the Roof starring Paul Michael Glaser and the 2014 UK touring production of Fame.
Stephen Brooker was musical director and conductor for Universal Pictures' film of Les Misérables. He is currently musical supervisor of Miss Saigon (New York 2017, UK Tour 2017 and Tokyo), Sunset Boulevard, The Woman in White, Half A Sixpence (London), Les Misérables (London, New York, Tokyo and Dubai), Mary Poppins (International Tour, Vienna & Stuttgart). He was musical director of The Woman in White, My Fair Lady, Miss Saigon, Les Misérables, Lautrec, Cats, Shall We Dance, The Secret Garden and South Pacific.
Previous supervision: Sunset Boulevard, The Phantom of the Opera 25th Anniversary Performance (DVD), Betty Blue Eyes, Les Misérables 25th Anniversary Concert (O2 Arena), Oliver! (London & UK Tour) My Fair Lady (USA and London), Les Misérables (New York 2006), Cats, Hair, Miss Saigon, Carmen Jones, The Phantom of the Opera, Grease, Fame, Saturday Night Fever, Barnum, Peter Pan and Chess. He was musical consultant for the Les Misérables 25th Anniversary Tour. Stephen conducted the Classical Brit Awards. He was composer and conductor for the original production of Burn the Floor and has written and produced music for many corporate clients including Coca-Cola, Walt Disney, Ford Motors, Toyota Cars, Volvo Cars, Sony Eriksson, BMW, British Airways and Canon.
Orchestral conducting include: The Royal Philharmonic Orchestra, Atlanta Symphony Orchestra, West Australian Symphony, Haifa Symphony, Bournemouth Symphony, Hamburg Sinfonia, Royal Liverpool Philharmonic, London Mozart Players, Royal Scottish National Orchestra, London and Manchester Concert Orchestras and the Ukraine Opera and Symphony Orchestra. He conducted the Royal Choral Society in the presence of Her Majesty the Queen.
Recordings include: Disney Film Classics and Crazy for Gershwin (BBC Concert Orchestra), studio recording of Hair, cast recordings of The Secret Garden, The Woman in White and South Pacific. He was orchestrator and conductor for Walt Disney's award-winning Animator's Palette and Cinderellabration (Disneyland Tokyo). He produced the ‘live' recording of Oliver! starring Rowan Atkinson, the new recording of Les Misérables and the Dutch and Australian recordings of Mary Poppins. Stephen composed music for Jaguar XE Launch (2016) and Jaguar Range Rover LC560 (2017) He conducted the Oscars - The 85th Academy Awards and is an Australian Helpmann Award winner for Mary Poppins.
Mark has over 30 years' experience as a Lighting Designer and has designed extensively for all the major theatre, dance and opera companies in the UK and has lit over 70 West End and over 25 Broadway productions.
Mark was the recipient of the 1992, 1995, 2000, 2002, 2010 and 2016 Laurence Olivier Award for Lighting Design, in 2006 won a Tony Award for The History Boys on Broadway and in 2013 won the WhatOnStage lighting design award for Sweeney Todd.
Mark won a Welsh BAFTA in 2000 for his work on the televised opening of the Millennium Centre in Cardiff.
A selection of work in the West End and on Broadway includes Chitty Chitty Bang Bang, The Iceman Cometh, The Judas Kiss, Copenhagen, Democracy, Hamlet, The History Boys (also in Los Angeles), Cat on a Hot Tin Roof, Les Parents Terribles, The Real Thing, Rowan Atkinson in Revue (also World tour), Enron, One Man Two Guvnors,Les Liaisons Dangereuses and Sunset Boulevard.
Mark was an Associate at the Royal National Theatre in London and was Lighting Adviser to the Almeida Theatre.
As Sound Designer: The Jungle Book (UK Tour), Scrooge (Curve, Leicester), Nativity! The Musical (Birmingham Rep and UK Tour); Sunset Boulevard (The Curve/UK Tour); A Little Night Music (The Watermill); Flashdance (UK Tour); Working (Southwark Playhouse); Project Polunin (Sadlers Wells); Brass (Hackney Empire); Bugsy Malone (Curve, Leicester); Crazy for You (Watermill Theatre and UK Tour); Oliver! (Grange Park Opera) Legally Blonde (Curve, Leicester); Tell Me on a Sunday (UK Tour); The Silver Sword (Belgrade, Coventry & Tour); Sweet Charity (Curve, Leicester); Oliver! (Watermill Theatre); Dirty Rotten Scoundrels (UK Tour); Women On the Verge of a Nervous Breakdown (Playhouse Theatre, London); The Hired Man (St. James Theatre, London); West Side Story (Victoria Warehouse, Manchester); My Favourite Year (Bridewell Theatre, London); The Tailor Made Man (Arts Theatre, London); The Life, Beauty & the Beast & Legally Blonde, (Arts Educational School, London); Pushing up Poppies (Theatre 503, Battersea, London).
Tom has acted as an Associate Sound Designer on over thirty shows in the UK and internationally. Prior to this he worked as No.1 (Head of Sound), opening and mixing numerous large West End shows over the past two decades.
As a freelance mix engineer Tom has had the privilege of working on countless events, such as the 2012 Olympic stadium athletics and touring with many artists including; The Coral, The Bees, The Lightning Seeds, Elaine Paige, Lewis Taylor, Martina-Topley-Bird and PJ Harvey.
Vocal and Dance Arrangements
New Musical Arrangement
Jamie, born and raised in London, set up Jamie Wilson Productions in 2008. Now aged 30, Jamie has produced over 50 productions both in the UK and Internationally.
Prior to being an independent producer, Jamie worked for theatre producer Mark Goucher. In 2008, he won the Stage One New Producers Bursary Award and was mentored by Paul Elliott.
Jamie is a member of SOLT and the UK Theatre Association and in 2017 was elected a trustee of the Stage One board supporting new producers.
In January 2019, The Stage newspaper listed Jamie among the top 100 most influential people and partnerships in the theatre industry, for the second year running.
In 2019, Jamie is lead producer on three musicals in London, On Your Feet! The Story of Emilio and Gloria Estefan, at the London Coliseum, Nativity! The Musical at the Eventim Apollo and Irving Berlin's White Christmas at The Dominion Theatre.
With the Watermill Theatre, Jamie has produced the critically acclaimed productions of Calamity Jane, Andrew Lloyd Webber and Don Black's classic Tell Me On A Sunday, and Gershwin's hit musical Crazy For You.
In 2016 Jamie and Leicester Curve collaborated to stage a brand-new version of Sister Act directed and choreographed by Craig Revel Horwood and starring Alexandra Burke. In 2018, as well as bringing the stage adaption of An Officer and a Gentleman to UK audiences, they mounted a major revival of Irving Berlin's White Christmas, which will play at the Dominion Theatre in London's West End over Christmas 2019.
In October 2017, in collaboration with The Birmingham Repertory Theatre, Jamie mounted the World premiere of Nativity! The Musical. The production transferred to London's Eventim Apollo for a recording breaking Christmas season. In 2018 Nativity! returned for an extended season and will be back at the Eventim Apollo for a third year in 2019.
In May 2018, Jamie announced that he will be bringing Jerry Mitchell's Broadway hit On Your Feet! The Gloria and Emilio Estefan Story to the London Coliseum from June 2019.
Jamie created and wrote the children's interactive musical Santa Claus and the Christmas Adventure, which premiered at the Ambassadors Theatre in 2011. Since then, along with two other sequels, it has been performed all over the World, with 5 professional productions being presented this Christmas.
Jamie is currently developing and workshopping new musicals and plays that will hopefully have their World premieres in the coming years.
Past productions and co-productions in the West End, on tour in the UK and internationally include:
Calamity Jane, Bruce Forsyth Live at the London Palladium, Robin Cousins' Ice, Andrew Lloyd Webber's Tell Me On A Sunday, When Harry Met Sally, Stones in his Pockets, Love Letters, Sex in Suburbia, Hot Flush!, Paul Zerdin's "No Strings", Ha Ha Hamlet!, Ha Ha Hitler!, Ha Ha Hood!, Hormonal Housewives, Doctor in the House, Santa Claus and the Christmas Adventure, Santa Claus and the Magical Christmas Journey, Santa Claus and the Night Before Christmas, The Night Before Christmas, The Joy of Politics, The Great Australian Drag Show, Variety Attack, Dance Attack and The Wiz.
Jamie Wilson Productions management arm provides a wide range of services to the industry including; market research and consultancy, general management, tour and logistics planning and a full accountancy service.
Producer: Jamie Wilson
Executive Director: Julian Edwards
Finance Director: Simon Freshwater
General Manager: Izzy Tranter
General Manager: Marlaina Darmody
Head of Touring: Sally Bourne
Production and Casting Assistant: Jonny Godbold
Production Assistant: Olivia Morrissey
Senior Accountant: Chris Burrows
Assistant Accountant/Payroll: Charlotte Healy
PA to Jamie Wilson: Eva Carroll
As well as running Mark Goucher Productions Ltd from Covent Garden, Mark is also the CEO of The Everyman Theatre in Cheltenham.
He produced his first show in 1987 on the Edinburgh Fringe and in the West End In 1991.
West End Productions include: The Messiah at The Other Palace, The Height of the Storm at Wyndham’s Theatre, Slava’s Snowshow at the Royal Festival Hall; The Miser at the Garrick Theatre, The Dresser at the Duke Of York’s Theatre; Million Dollar Quartet at The Royal Festival Hall; Taken At Midnight at the Theatre Royal Haymarket; Jeeves and Wooster at the Duke Of York's Theatre; A Chorus Line at the London Palladium; Crazy for You at the Novello Theatre; Yes, Prime Minister at the Gielgud, the Apollo and Trafalgar Studios; Shout! - the Musical at the Arts Theatre; Dickens Unplugged at the Comedy Theatre; Whipping It Up at the New Ambassadors, starring Richard Wilson; Footloose - the Musical at the Novello Theatre; High Society at the Shaftesbury Theatre; The Vagina Monologues at the Wyndham’s Theatre, the Arts and the New Ambassadors; Amajuba at the Criterion Theatre; The Anniversary starring Sheila Hancock, at the Garrick Theatre; the Reduced Shakespeare Company - The Complete Works of William Shakespeare (abridged), The Bible - the Complete Word of God (abridged), The Complete History of America (abridged), all at the Criterion Theatre, where they ran for 10 years; Fame - the Musical at the Victoria Palace, the Cambridge and Aldwych theatres; Elaine Stritch at Liberty at The Old Vic; Rent - the Musical at the Prince of Wales Theatre; The Snowman at the Peacock; Jackie Clune and Graham Norton at the Arts Theatre; Steven Berkoff at the Garrick Theatre; Shopping and F***ing at the Gielgud and Queens Theatre, Trainspotting at the Queen’s and Whitehall theatres; Issey Ogata at the Lyric Theatre; Fever Pitch at the Arts Theatre; Dolly West’s Kitchen at The Old Vic, Kit and the Widow at the Vaudeville; Frantic Assembly at the Ambassadors; Holy Mothers and Last Dance at Dum Dum at the Ambassadors Theatre.
Touring Productions include: Club Tropicana the Musical, The Messiah, The Height of the Storm, Let It Be, Quartet, The Winslow Boy, Hairspray, Million Dollar Quartet, Single Spies, The King’s Speech, Oh What A Lovely War, Pygmalion, Jeeves and Wooster, Yes, Prime Minister, Slava Snowshow, Bette and Joan, Jus’ Like That, The Wedding Singer - The Musical, Shout! - The Musical, The Vagina Monologues, Stones in His Pockets, High Society, Fame - The Musical, Footloose and as general managers for Stop Messing About national tour.
Gavin Kalin Productions Ltd is a theatrical production company that specialise in producing theatre in the West End, on tour throughout the UK and internationally. Recent credits for the West End include 9 to 5 The Musical, Caroline or Change, King Lear, Pinter at the Pinter, The Ferryman, Oslo; On UK Tour include Shrek The Musical, Crazy For You, An Officer and Gentleman The Musical and Priscilla The Musical; and on Broadway credits include The Iceman Cometh, The Ferryman and Hadestown.
In 2018 Gavin Kalin Productions raised finance and invested into forty separate UK based productions. For information on investing in commercial theatre please visit www.gavinkalinproductions.com
Gavin is also the founder of Totally Theatre Productions Ltd, a TV/Video production company that specialise in producing Broadcast and online content for theatre and live entertainment. Clients are worldwide with many in the West End, throughout the UK and on Broadway. www.totallytheatreproductions.com
Kevin McCollum is one of the most prolific and successful Broadway producers with a career spanning 25 years in the theatre industry.
Currently, Kevin has The Play that Goes Wrong playing on Broadway, Something Rotten on tour in the US and Motown: The Musical in the West End.
Kevin has received the Tony Award for Best Musical for In the Heights (2008), Avenue Q (2004), and Rent (1996), which also won the Pulitzer Prize. He produced Motown: The Musical (Broadway & National Tour), The Drowsy Chaperone in 2006, which won five Tony Awards, Baz Luhrmann's production of Puccini's La Boheme in 2002, the touring and Broadway productions of Irving Berlin's White Christmas, the off Broadway hit De La Guarda, the recent hit revival of West Side Story, and Bengal Tiger at the Baghdad Zoo.
In 1995 Mr. McCollum co-founded the Producing Office, and has since created Alchemation, a theatrical and media producing company committed to new work.
Mr. McCollum was trained at the University of Cincinnati College-Conservatory of Music, and earned his Master's degree in film producing from the Peter Stark Program at the University of Southern California.
In 1995, he received the Robert Whitehead Award for Outstanding Commercial Theatre Producing.
Almost one million people annually engage with Curve through performances and projects at our home in Leicester, across the UK and internationally.
Under the leadership of Chief Executive Chris Stafford and Artistic Director Nikolai Foster, Curve has developed a reputation for producing, programming and touring a bold and diverse programme of musicals, plays, new work, dance and opera. All of this presented alongside a dynamic mix of community engagement, artist development and learning programmes, which firmly places audiences, artists and communities at the heart of everything we do.
Recent Made at Curve productions include Irving Berlin's White Christmas, Dr Seuss's The Cat In The Hat (& UK Tour), the world premiere of Dougal Irvine's adaption of Riaz Khan's Memoirs Of An Asian Football Casual, (nominated for Best Regional Production at the WhatsOnStage Awards 2019), the Curve Young Company and Community production of Joseph Stein's Fiddler On The Roof, the world premiere of An Officer and a Gentleman (& UK Tour), Leslie Bricusse's Scrooge the Musical, the world premiere of Amana Fontanella Khan's Pink Sari Revolution, adapted by Purva Naresh (with Belgrade Theatre Coventry, English Touring Theatre and West Yorkshire Playhouse, Leeds); a major revival of Andrew Lloyd Webber's Sunset Boulevard (& UK tour); the world premiere of Ravi Shankar's opera Sukanya (co-produced with the Royal Opera House & London Philharmonic Orchestra); the 50th anniversary production of Joe Orton's What the Butler Saw (with Theatre Royal Bath); Jim Jacobs & Warren Casey's Grease (also in Dubai) and a production of Roald Dahl's George's Marvellous Medicine, adapted by David Wood (co-produced with Rose Theatre Kingston & on tour).
Chief Executive: Chris Stafford
Artistic Director: Nikolai Foster
HR & Operations Director: Julia Bates
Building and Technical Director: Jay Bridges
Associate Director: Suba Das
Finance Director: Abi Jevons
Head of Fundraising: Susie Jordan
Head of Hospitality and Business Relations: David Ross
Director of Audiences: Claire Ward
COLIN INGRAM FOR INTHEATRE